“Hoe Downs”

 

“Hoe Downs” as Social Gatherings

The sources confirm that, following a “husking” or “quilting,” the community would often come together for a “hoe down,” featuring dancing and music. These events, typically held on moonlit nights, served as a release from the hard work of farm life and provided opportunities for social interaction and recreation.

The sources provide further details about the nature of these gatherings:

• Timing: “Hoe downs” were typically held late at night, after the completion of work at a “husking” or “quilting,” which themselves often took place at night.
• Music: Music was an integral part of a “hoe down.” While specific instruments are not mentioned, the sources reference a “screeching unruly violin,” also known as “choking the goose,” as a common feature. If no fiddle was available, someone might provide rhythmic accompaniment by “patting Juba,” which sounded similar to a horse trotting over a bridge.
• Dancing: The dancing at these events was likely lively and energetic. The phrase “heavy stumbling toes would be tripped” suggests that participants engaged in vigorous dancing.

“Hoe Downs” and Social Dynamics

Beyond their entertainment value, “hoe downs” likely played a role in reinforcing social bonds and community identity in early Pocahontas County. They brought together people from different families and backgrounds, offering opportunities for courtship, conversation, and the sharing of news and stories.

The sources also suggest that these events were not always entirely peaceful. Occasionally, attendees would “pride themselves in being and doing ugly,” leading to fights and disruptions. The consumption of alcohol, particularly “Black Betty,” is implied to have contributed to these disturbances.

Overall, “hoe downs” represent an important aspect of social life and recreation in early Pocahontas County. They offered a welcome respite from work, fostered community spirit, and provided a glimpse into the musical traditions and social dynamics of the era.